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The Iron Horse is Walrus’ take on a classic distortion circuit that’s thick, punchy, riffy, and rowdy
The Duel Pugilist features the same distortion voicings found in our popular Pugilist pedal, but with new combinations designed for a knockout
Featuring an on-board transformer isolated Di output, with two switchable EQs
The pedal features as above two individual distortions that can be stacked to achieve new levels of gain
The Triskelion is a variable-state bandpass filter with adjustable gain
The pedal features a fast and accurate chromatic tuner with graphic volume display that is visually attractive and easy to operate
Built for free-flowing expression on stage and in the studio
With the immense capabilities of the RC-600 at your feet, you can realize complex and sophisticated loop performances like never before
The TMA-1 fuzz is a four stagetransistor fuzz featuring a series of selectable diode clipping options
The Nano Deluxe Memory Man delivers EHX’s signature analog delay, chorus and vibrato plus some updates
Featuring superb low-noise floor performance and full frequency response making it ideal for bass
Eventide Audio’s new TriceraChorus pairs stereo bucket brigade-style chorus with their legendary MicroPitch detuning to create rich and lush modulation
Based on an iconic vintage circuit, the sound of the Deep Phase Pedal is crystal clear with a pronounced swoosh, scooped midrange
Echolution 3 is a multi-tap stereo modulation delay offering a myriad of sound design options
Offering a range of overdrive from sparkling clean boost to a raging distortion, Gamma Drive was designed for versatile playing
These two powerful new models have been added to their popular 200 series pedal lineup
Eras is a no apologies, high-gain distortion that’s ready to chug, shred, and palm mute with tight response and multiple distortion textures
The FM9 is the most powerful floor unit ever produced by Fractal Audio, and it features an impressive list of technologies and features
Zelzah’s gives you a wide array of classic tones ranging from phasing to vibrato, while the six stage side provides phasing, flanging, chorus, and more
The MOD Dwarf offers all the flexibility of a DAW, with the convenience and toughness of a standalone device in a compact, gig friendly footprint
It combines an all-analog moving filter section and a modern, tap-tempo controllable LFO that can go from stationary and resonant to fast and swirly
The KGB Fuzz takes fuzz to a new level with unique features including an Impedance Selector and Fuzz/Dry Mix Fader
Beginning with the attack control on minimum the Cozmic Fuzzball delivers distortion with a bright creamy edge
The Ziffer Overdrive is a sturdy minion, road-ready, and eager to perform in any instance, on stage or in the studio
The Eye To Eye is an analog 4 stage OTA-based phaser capable of many shades of phase including slow and swirly through to fast and intense
BMF’s take on one of the most well-known distortion pedals of all time provides players with a wide range of sonic acreage
The Way Huge STO’s simple three-knob setup offers just about the fastest and easiest ride to overdriven paradise
With its upgraded circuit design, V2 quite literally opens things up
With separate analog and digital paths to get best of both worlds, this retro inspired echo effect will warm up your tone
The goal was to make a pedal that sounds like an amp, in term of dynamics, velocity, and harmonic content
On top of superior speed and a unique, performance-friendly feature set, Infinity 3 sounds downright incredible
Based on the HM-2 Heavy Metal pedal from the 1980s, the HM-2W delivers the true analog sound of the original in all its glory
This pedal offers touch sensitive asymmetrical and symmetrical overdrive, variations of compression and overdrive complexity, and a true bypass
The Old Ruin delivers a broad array of distorted deliciousness, ranging from a somewhat mild overdrive all the way to higher-gain howling
With its overdrive boost circuit, this golden chalice among overdrive pedals has a luxurious warm tone and an astonishing dynamic response
Specially designed and thoughtfully voiced for those who seek a responsive to pick dynamics with tone clarity overdrive
The SD-1-4A celebrates 40 years of continuous production, while the MT-2-3A celebrates 30 years
With the Bass Fly Rig v2, you now have a choice of SansAmp Character modes
he new effect pays homage to everyone’s favorite Japanese octave fuzz from the 1970s: the Univox Super Fuzz
The Futurist is not limited to controlling MIDI; analog equipment can be controlled by virtual analog control outputs integrated into the device
Loupé hands you a diverse set of sampling and looping tools, for an innovative approach to making music
Classic High Gain Distortion Pedal with Fat Mids, Treble Filter Control and 3 Clipping Modes
The DB 599 bass compressor gives bassists the ability to control their dynamics in a simple and compact format
The Gearbox features modified versions of two of Brian Wampler’s best loved drive circuits: the Tumnus and the Pinnacle
This all-tube Class A pre, designed by legendary builder Bruce Egnater, features two blendable channels, inspired by the B15 amp
A custom circuit, this pedal is based on a classic OD famous for its grit and crunch
The circuit is based on a legendary fuzz with a different face, but with an additional gain stage
The Curmudgeon 2 is a solid-state power amp (lead sled) distortion that takes your incoming signal and multiplies it by 1000
Pigtronix is kicking off spring with a trio of analog micro pedals featuring some of their boldest sound design to date
A plug-and-play Relay G10TII transmitter is included, making it exceptionally easy for players to go wireless— right out of the box