The SD-1-4A celebrates 40 years of continuous production, while the MT-2-3A celebrates 30 years
The Futurist is not limited to controlling MIDI; analog equipment can be controlled by virtual analog control outputs integrated into the device
Loupé hands you a diverse set of sampling and looping tools, for an innovative approach to making music
Classic High Gain Distortion Pedal with Fat Mids, Treble Filter Control and 3 Clipping Modes
The Gearbox features modified versions of two of Brian Wampler's best loved drive circuits: the Tumnus and the Pinnacle
The Curmudgeon 2 is a solid-state power amp (lead sled) distortion that takes your incoming signal and multiplies it by 1000
Pigtronix is kicking off spring with a trio of analog micro pedals featuring some of their boldest sound design to date
Combining the Overrated Overdrive and the Blue Hippo Chorus into one unit has changed the relationship between chorus and overdrive
It’s time to express yourself. Do it with the Volume (X)8 Volume & Expression Pedal
The Overture combines six great classic and modern overdrive tones and puts them all into one fully programmable pedal
Featuring 5 dials, two toggle switches and one foot switch, the Binary Star allows you to dial a near infinite number of sounds
At low fuzz settings the Ripped Speaker emulates the lo-fi distortion sounds created by a razor blade applied to a speaker cone
The Classic has defied the odds and to this day, remains the standard of the industry
The new PE-5 includes EQ, PRE-AMP & DI functions
It follows on the heels of the McGregor's debut pedal, the Crunch Transparent Overdrive
The Super Sonic Distortion modifications produce a rich, thick tone with tube amp-like qualities and response
This pedal captures Adam Nolly Getgood’s entire tonal arsenal meticulously refined by years of in-depth testing and experience
With Fuzzie Fuzz V2 you get the added 4th 'Texture' mini-knob which goes smoother as you dial it up and more textured CCW
Among the iconic fuzz pedals in music history, the Tone Bender is one of the most revered and unique
The classic three-knob design lets players easily control the volume, tone, and gain going to the amp
There's now added a fully variable sidechain high pass filter, and a two position ‘tone + colour’ circuit which gives your bass delicious character
This classic circuit has been modified and updated for today’s pedalboard without losing any of the original’s unique characteristics.
The EBS Stanley Clarke Signature Acoustic Preamp was engineered and designed with the legendary bass player and composer Stanley Clarke.
Bass players will love the control, dynamics and versatility the NU-1 for quiet or loud situations.