Nick Epifani’s eponymous amp company was an early adopter of two technologies that are now entrenched in bass amplification: Class D amplifiers and neodymium-speaker-equipped cabinets. I recall my early encounters with Epifani products — and Nick’s Italian-accented evangelism for his products — fondly. At the time (the mid 2000s), Epifani gear was cutting-edge and sophisticated and boasted an enviable roster of endorsing musicians, including Anthony Jackson, Matt Garrison, and Oteil Burbridge. Aiding Epifani in its early growth was the office’s close proximity to Fodera’s legendary Brooklyn workshop. Many a visting artist (myself included) would pilgrimage to Fodera and then make the 20-second trip downstairs to visit with Nick and see what Epifani was cooking up. Since then, Class D amps with switchmode power supplies and accompanying neodymium cabinets are mainstream, with even the most affordable entry-level gear utilizing the technology. What, then, can set Epifani apa